Blue is the warmest color anal
My humorous title plays on the length a bit, something to the effect of: this post is long enough to warrant multiple chapter headings. The graphic novel was rich in character development, narrative, plot, dialogue, internal monologue in the form of diaries , surprise, beauty, and color. Nevertheless, Blue is an art film in the worst sense of the word. The film refused all the elements of the novel that I found so engaging, so my problems are about adaptation and narrative. The novel was structured on the diary. It is never broached again because, given the ending of the film, it would be superfluous.
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Magnus is the fucking voice of reason. That's scary. It's actually really beautiful. I initially just didn't like that it didn't really show what it was about to someone that didn't already know but if you do know it's great.
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What can at least be argued for that scene — and all preceding and subsequent displays of sexual intercourse — is that they serve a purpose in the narrative. It is beyond the limits of my knowledge, responsibility and ethical behavior as a critic to speculate about whether Mr. One struggles to think of any justification for the generous number of shots we see of Adele asleep on her stomach at night, framed from the bottom of her legs to emphasize her behind. It left a bad taste in my mouth. How that particular relationship plays into her sense of loneliness after breakup, something the film focuses on vigorously, is never explored.
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